This project has been produced out of imagery from my personal archive. This method is borrowed from artists and designers who have also worked with existing and extensive collections. I started using my personal video material derived from my fascination of movement in nature, man and machine, captured during a time period of three to four years.
There is no obvious overarching theme besides movement. The material is completely personal and shot from intuition. I am the only connection between these videos.
The continuous sequences of movement in a ‘No Particular Order’ refers back to my own desire to see more imagery, even though I look at these videos without any feeling of completion or satisfaction. Feelings that I believe are also typical for our contemporary visual culture.